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The film Franca: Chaos and Creation is the only portrait of the legendary editor-in-chief of Vogue Italia that I. The book follows the documentary by the same name from 2016, directed by Franca’s son, Francesco Carrozzini. It's grand and parochial, eccentric yet grounded, and such a great reminder of Mizrahi's je ne sais quoi. Franca: Chaos and Creation, the book, celebrating the life and work of Franca Sozzani, was recently released by Assouline. His mother, Sarah Mizrahi, is particularly delightful. The film has got Eartha Kitt, Sandra Bernhard, Naomi Campbell and more in mostly grainy black and white footage from Mizrahi's escapades about town and in fittings. "Either say something great or say it stank or ignore it… ignore it if you don't like it." He's speaking to the camera, but his words are clearly in conversation with his critics. "I hate mediocre things said about me," he says smoking a cigarette in extreme close-up on his face. It's the unobtrusive, stream-of-conscious view of a designer who feels everything in a New York that these days appears bizarrely quaint. Required viewing for any fashion lover, this time capsule of an era (only 25 years ago, but one that seems like the byzantine empire by way of distance from now) begins immediately following Isaac Mizrahi's poorly reviewed Spring/Summer 1994 collection. Douglas Keeve), Boss Woman: Anna Wintour (2000, dir Christine Hall) and Richard Avedon - Darkness and Light (1994, dir. Rodolphe Marconi), Marc Jacobs & Louis Vuitton (2007, dir. Cutler), Lagerfeld Confidential (2007, dir. Richard Press), The September Issue (2009, dir. Pierre Thoretton), Bill Cunningham New York (2011, dir. Fabien Constant), Scatter My Ashes at Bergdorf (2013, dir. Bertrand Bonello), Mademoiselle C (2013, dir. Albert Maysles), Saint Laurent (2014, dir. Loïc Prigent), Jeremy Scott: The People's Designer (2015, dir. I am also glad that Franca approved of it, saw it and was content. Which is why I am so grateful that Franca Sozzani’s son, Francesco Carrozzini, made a documentary about his mother, Franca: Chaos and Creation, which he presented at the Venice Film Festival in September. Andrew Rossi), The Legacy Of Alexander McQueen (2015, dir. I felt that every piece of writing on the subject lacked emotion. Lori Kaye), The First Monday In May (2016, dir. Tiffany Bartok), Kevyn Aucoin Beauty & the Beast in Me (2017, dir. Sandy Chronopoulos), The Larger Than Life: The Kevyn Aucoin Story (2017, dir. Susan Lacy), The Gospel According To André (2018, dir. Below, we'll get into ten of my faves, but I want to take a moment to recommend some others first (in reverse chronological order): Martin Margiela: In His Own Words (2019, dir. In trying to zero in on which to focus on, I became overwhelmed with choice: old classics, and hidden gems discovered through the magic of social media. As we all stay indoors as much as possible, now is the time to catch up on the genre.